1. THE BODY TYPEFACE (2025)

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This project develops a modular typeface built on a grid derived from the proportions of my own body. It investigates how a personal, organic experience can be translated into a system, and how that system can adapt and mutate according to the body it is based on—ultimately allowing for as many variations of letterforms as there are people.

*LAUS INBOOK 2025 AWARD

2. I WOODN’T EXIST WITHOUT A DESIGNER (2024)
WITH BRUNO RODRIGUEZ

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The democratization of design has led to the devaluation of our profession.
“I woodn’t exist without a designer” is the result of opening a debate and raising questions about our role as designers. This project works within the realm of the poster, a format heavily affected by this mass phenomenon.

3. LINOCUT TYPEFACE (2024)

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This project arises from the desire to work manually with typography.
It is based on three key points: typography as the main element of interest, the progressive deformation of the letter as the goal, and the tool as the driver of this deformation. 

4. DOGREL-FONTAINES.D.C. VINYL REDESIGN (2024)

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For this project we were asked to design a free-form object related to music. Designing a vinyl was a thing I always wanted to do and this seemed to be the perfect time. I chose to redesign Dogrel by Fontaines D.C because they inspire me a lot, musically and artistically.

5. HISTORY OF ROCK N’ ROLL (2024)

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This book is made from the love towards music. It offers a tour through the most outstanding artists and bands who wrote the history of Rock n’ Roll. This project arises from the desire to work on a publication that hybridizes image and text.
It explores how to graphically represent this music genre and how to achieve an aesthetic language that can be repeated throughout the book.